Brion-Vega Cemetery
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Architect Carlo Scarpa
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Location San Vito d'Altivole, Italy   map
Date 1970 to 1972   timeline
Building Type tomb, cemetery, landscape, memorial
 Construction System concrete
Climate mediterranean
Context suburban
Style Eclectic Post-Modern
Notes Rectilinear, stepping, and curved sculptural concrete elements on a grassy place, a complex and somberly moving walled memorial.
Images

 


Photo, exterior, sculptured concrete walls

Photo, exterior, water element

Photo
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Drawings

 


Plan Drawing

3D Model
3D Massing Model (DesignWorkshop 3dmf)

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Discussion Brion-Vega Cemetery Commentary

"With the Brion Cemetery, Scarpa made his impact with an unreserved commitment ot the modern movement and a new sureness of language, in continuity but not imitation of Wagner, Hoffman, Loos, and [Frank Lloyd Wright]. He re-created here the splendor of nineteenth-century Middle Europe, where beauty had the power to redeem man from his limitations. He avoided the narrow dictates of rationalism, choosing rather to stress inner depth, dreams, and nostalgia.

"He did not need new compositional themes or forms. He already knew everything he needed to reach his objective. His original intuitions about the continuity of language and feeling crystallized in the building of this cemetery."

— Maria Antonietta Crippa, Marina Loffi Randolin, ed. Carlo Scarpa: Theory Design Projects. p61.

The Creator's Words

"I would like to explain the Tomba Brion...I consider this work, if you permit me, to be rather good and which will get better over time. I have tried to put some poetic imagination into it, though not in order to create poetic architecture but to make a certain kind of architecture that could emanate a sense of formal poetry....The place for the dead is a garden....I wanted to show some ways in which you could approach death in a social and civic way; and further what meaning there was in death, in the ephemerality of life—other than these shoe-boxes."

— Carlo Scarpa. "Can Architecture Be Poetry." from Peter Nover, Ed. The Other City Carlo Scarpa: The Architect's Working Method as Shown by the Brion Cemetery in San Vito D'Avitole. p17-18.

Details

2200 square meters of land

Resources
Sources on Brion-Vega Cemetery

Roger H. Clark and Michael Pause. Precedents in Architecture. New York: Van Nostrand Reinhold, 1985. ISBN 0-442-21668-8. LC 84-3543. NA2750.C55 1984. double center diagram, p200. — Updated edition available at Amazon.com

Donald Corner and Jenny Young. Slide from photographer's collection. PCD.2260.1012.1842.27. PCD.2260.1012.1842.28.

Maria Antonietta Crippa, Marina Loffi Randolin, ed. Carlo Scarpa: Theory Design Projects. Cambridge, MA: The MIT Press, 1986. NA 1123 .S35 C7513 1986. ISBN 0-262-03117-5. LC 85-23946. p17, 61.

Toshio Nakamura, ed. Architecture and Urbanism Extra Edition: Carlo Scarpa. A+ U E8510, October, 1985. Tokyo: A + U Publishing Co.. Color photo, general view of the chapel seen from the altar, p161. Color photo of the tomb of the Brions, p144. Color photo of family tomb, the Brions tomb and chapel, p153.

Peter Nover, ed. The Other City Carlo Scarpa: The Architect's Working Method as Shown by the Brion Cemetery in San Vito D'Avitole. Berlin: Ernst & Sohn, 1989. ISBN 3-433-02097-3. NA1233.S35A4 1989. p17-18.

Dennis Sharp. Twentieth Century Architecture: a Visual History. New York: Facts on File, 1990. ISBN 0-8160-2438-3. NA680.S517. exterior photo, p297. — Available at Amazon.com

Duane Siegrist, University of Oregon. Slide from photographer's collection, July 1993. PCD.3236.1011.0837.049. PCD.3236.1011.0837.048. PCD.3236.1011.0837.055.

Alene Stickles, University of Oregon. Slide from photographer's collection, July 1993. PCD.3189.1011.1916.106, entrance from village cemetery. PCD.3189.1011.1916.107, tomb of Brion couple.

Kevin Matthews. The Great Buildings Collection on CD-ROM. Artifice, 2001. ISBN 0-9667098-4-5.— Available at Amazon.com

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